After moving to Cornwall in 1939, Barbara Hepworth began experimenting with color in her sculptures, as a new show in London explores.

Strings first showed up in Barbara Hepworth’s (1903–1975) practice in 1939—and remained threaded throughout her practice. To the British sculptor, they served her perceptual aims, allowing dramatic ...

Barbara Hepworth’s elegant works, with their harp-like strings and splashes of blue, evoke the foamy breakers of St Ives. But should we really be surprised she used colour? They say in St Ives that if ...

A rare sculpture by Yorkshire-born artist Barbara Hepworth will be placed on permanent display for the first time ever after £3.8m was raised to save it. The 1943 artwork, titled Sculpture with Colour ...

Tate Britain will open the first major Barbara Hepworth exhibition in London for almost fifty years. Barbara Hepworth (1903–75) is most commonly associated with St Ives, Cornwall, where she lived from ...

Introduction / Penelope Curtis and Chris Stephens -- Crafting modernism: Hepworth's practice in the 1920s / Ann Compton -- Reflections on a relationship: Barbara Hepworth and Ben Nicholson, the early ...

Barbara Hepworth, “Pelagos” (1946), Sculpture Elm and strings on oak, 430 x 460 x 385 mm (Tate © Bowness) Barbara Hepworth in the Palais de la Danse studio, St ...

HMSG copy purchased from the Arts Libraries Endowment. Barbara Hepworth: The Sculptor in the Studio' is the first study devoted to Hepworth's St Ives studio in which the centrality of Trewyn Studio ...